I gotta get this outta the way up front--I think Ralph Bakshi
is one of the most overrated filmmakers around. He's no better
a director than, say, Peter Hyams (Quick! Name three movies he
directed), but people give him a lot more credit than he deserves
simply because his movies are animated. I mean, c'mon, why should
people be willing to accept less in terms of story and characterization
just 'cause you're looking at a bunch of cartoon characters? Don't
get me wrong--I don't wanna come off like the guy in Entertainment
Weekly who started his review of "South Park" by
saying, "I hate cartoons"--I love cartoons, but
if you're gonna refer to a director as "visionary" and
his movies as "classics," they'd better be damn good
movies. Bakshi's works are entertaining but remarkably average,
and American Pop is right in there with 'em. Following
four generations of men who, in one way or another are involved
in the music scene, Pop takes us on a fairly heavy-handed
ride through the land of clichés, but does it in a manner
that's at least fun to watch. Unfortunately, Bakshi's over-reliance
on rotoscoping (filming the actors performing their scenes, then
basically tracing that film) makes me wonder why the hell he even
bothered to animate the thing--in some scenes, I could actually
recognize the actors under the paint! This slavish reproduction
of the live-action footage tends to separate the characters from
their environment, too--as if they're floating around on a flat
background. It's kinda like watching George Reeves fly on the
old "Superman" TV show. And to make it even more disconcerting,
the background characters are all stylized and funky-looking,
the way the main characters should have been! Sure, it's cool
to see an animated Jimi Hendrix, but thanks to Bakshi's crazed
tracing, it's like watching the live-action Jimi with some garish
paint slathered over himself. But ya' know what? Despite all this
bitching, I'd have to say this is one of Bakshi's more entertaining
flicks--in fact, I liked it as much as I like some of Peter Hyams'
stuff (Outland, 2010, The Relic). Fun, but far from visionary
or classic. (Columbia Tri-Star)
--Scott Phillips
Other Films by Ralph Bakshi
Streetfight 
Film Vault Suggested Links
Mary Jane's Not a Virgin Anymore 
Lost Highway 
Rock! Rock! Rock! 
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