Emily's dad and I (it's a bonding thing--Emily being out of town
'n' all) popped Sergio Corbucci's Spaghetti Western classic in
and immediately found ourselves knee-deep in mud, blood and sweat
as Django, the gunslinger so tortured he drags his own coffin
around with him, stumbles across some bad fellows whipping a red-headed
frontier gal. Emily's dad thought it would be easier for Django
to wheel his coffin around on some sort of hand truck, but I felt
his current method is the only way, as he needs his hands free
for gunslinging. At any rate, before Django can act, a horde of
red-hooded (not headed) bad guys arrive, gunning down the
other bad guys. These red-hooded gentlemen intend to set the red-headed
gal on fire, which Django takes issue with. He shoots the men,
but shooting alone isn't good enough for one of the bad guys--Django
shoots him a second time, whereupon he falls down a hill and sinks
in quicksand. Django and the gal enter a saloon nearby, populated
by the most flamboyant prostitutes ever committed to celluloid,
where they learn of the war between a band of Mexican outlaws
and the red-hooded guys. Before you can say A Fistful of Dollars
(or Yojimbo or even Red Harvest), Django is stirring
the fudge to serve his own needs. I don't wanna give away too
much, but y'see, Django's got his sights set on a mess o' gold,
and he needs some help to get it. ... By the end of the flick,
we've seen tons of shootouts, bad guys so bad they make
a guy eat his own ear, a Tender Moment for Django, and our hero's
hands crushed by a rifle butt, then stomped by horses! And
after a gunfight, Django says, "You can clean up the
mess now--but don't touch my coffin." A must-see. (Magnum)
--Scott Phillips
Capsule Reviews
Django 
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