I would really like to have been in on the planning sessions that
went into the making of this movie. Honestly. Because I have no
freaking idea what the thought process could have involved.
First of all, some genius studio exec (probably under the age
of 25) had to come up with the brilliant idea to remake the 1967
musical Doctor Dolittle. Never mind the fact that that
particular film was a bomb--one of the more infamous and costly
failures in Hollywood history. Like I said, the exec (who we'll
now call "Skip") probably wasn't even born when the
thing came out, so we can forgive him. Eventually, though, some
grand high muckety-muck actually had to greenlight the project
and toss in his two cents' worth. That meeting probably went something
like this: "Doctor Dolittle? ... Brilliant idea, Skip.
You know who would be the perfect replacement for Rex Harrison?
Eddie Murphy. Heck, get his agent on the phone. It's a
done deal!" The progress of logic in this little scenario
escapes me. The resulting film (cleverly titled Dr. Dolittle
to segregate it from the original) is a testament to illogical
choices, bad decisions and lazy filmmaking.
That Eddie Murphy agreed to star in Dr. Dolittle is no
surprise. The remake of The Nutty Professor was a similar
gamble, and he pulled that off with career-reviving élan.
I'm sure Murphy thought, "Yeah. Talking animals, that could
be funny." The big difference is that The Nutty Professor
actually gave Murphy something to do. The goofy special effects,
frantic
physical comedy and clever dual role allowed Murphy to ham it
up to the hilt. In Dr. Dolittle, Murphy plays the titular
physician--a straight-laced, conservatively dressed family man
with a successful practice. Is this the same brash Eddie Murphy
who mugged it up as the street smart Axel Foley in Beverly
Hills Cop? Casting Murphy as the straight man is the deadliest
career turn since Steve Martin gave up being funny to play the
dad in a string of dull Disney-produced comedies. Murphy's co-stars
(such as the pretty but colorless Kristen Wilson as his wife)
were apparently ordered not to distract audiences, as their presence
is scarcely felt.
All the jokes, rather expectedly, fall to Murphy's animal co-stars.
The producers have gathered a surprisingly big cross-section of
Hollywood talent to dub animal voices. Jenna Elfman, Ellen DeGeneres,
Norm MacDonald, Albert Brooks and Garry Shandling are just a few
of the names. Unfortunately, it seems that the stars were forced
to record their parts without any actual script to work off of.
How else can you explain the fact that none of them actually says
anything funny? The trailers for Dr. Dolittle feature some
amusing cut-ups from loudmouthed Chris Rock as a loudmouthed Guinea
pig. Unfortunately, Rock gets one or two funny lines and spends
the rest of the film trying to force some semblance of
humor into his pointless "Hey. Hi there. Woo-hoo. I'm a talking
Guinea pig" dialogue. Gilbert Gottfried, I must admit, is
rather appropriate as an obsessive-compulsive dog. But why even
bother to drag in Paul Reubens as a raccoon if all he's going
to say is, "Hey, Doc, you got any tuna?" Granted, the
gimmick of talking animals might have been enough to sustain a
film if we hadn't already seen it done (10 times better) in Babe.
The cheap animation used here to create talking tigers and gibbering
gibbons looks exactly like cheap animation.
Director Betty Thomas, who started sliding down a smutty slope
with her last film, Howard Stern's Private Parts, keeps
up the vulgar yocks. There are only about five actual jokes in
the entire film--all of which involve butts. Even the 10 year
olds in the audience seemed a little embarrassed to be laughing.
A dog loses a rectal thermometer you know where; a rat is incapacitated
with severe flatulence; some sheep complain, "Our butts hurt!"
These are the jokes, folks.
Apparently our boy Skip and his muckety-muck partner felt that
their idea to remake Dr. Dolittle was so genius that the
film didn't even need a script. Dolittle contains the merest
hint of a plot (at first Dolittle doesn't want to help the animals,
but then he does). For some odd reason there's a subplot about
Dolittle's practice being taken over by an HMO. Every 10 minutes
or so, this already unfunny film stops to have a discussion about
the merits of HMOs (probably the least amusing topic on the planet).
Peter Boyle (another funny actor ordered to act completely unfunny)
stumbles in occasionally, threatening to become the film's bad
guy, but never coming through on the promise.
Kids, butt-joke aficionados and adults with low expectations will
undoubtedly milk a chuckle or two out of Dr. Dolittle.
Even so, there's no getting around the fact that it's a poorly
constructed, corporate-assembled junkpile. You're likely to get
more entertainment out of the latest Taco Bell chihuahua commercial.
Nice work, Skip!