It's about time a Mafia movie is made that breaks its own stereotypical
mold. Mike Newell's new film, Donnie Brasco does just that.
The film reeks of tenderness and sentimentality not normally found
in your average gangster flick. This isn't necessarily a bad thing.
There is simply more emotional understanding of the characters
and their ethics. Brit director Mike Newell departs from his usual
lush films (Enchanted April, Four Weddings and a Funeral)
and takes on the American Mafia. As odd a transition as this may
seem, Newell brings a fresh perspective to the gangster genre.
It's more gritty and dark, concentrating on the bottom rung of
the gangster Mafia--the ones who are kicked out of Manhattan and
must establish themselves with petty crimes in Brooklyn.
The film details the true story of undercover agent Joe Pistone,
aka Donnie Brasco, who infiltrated the Mob in the 1970s. Brasco
(Johnny Depp) befriends and gains the confidence of Lefty Ruggiero
(Al Pacino), an aging wise guy who never made it to the top of
the local gangster hierarchy. He sees his relationship with the
street smart Donnie Brasco as his ticket into the big time, not
realizing it will bring him his demise. Lefty takes Donnie under
his wing and teaches him the ropes of the cruel game they play.
After they rob and beat up a club owner, Donnie pays for his drink.
Lefty questions him: "Why did you pay for that drink? A wise
guy never pays for his drink." Lefty unknowingly teaches
him how he should act in order to survive this dangerous mole
operation.
Donnie is soon faced with a moral dilemma: He is divided between
abhorring Lefty and feeling empathy for him. An unexpected father/son
relationship has developed between Donnie and Lefty that cannot
be reversed. The fact of the matter is that Donnie truly cares
about Lefty. He feels sorry for him. And who wouldn't? Al Pacino's
character is so pathetic as he sits in his crappy little apartment
with his loyal wife and worries about his junkie son. He only
wants what we all want: A better life. Lefty mentions that if
he had a boat, he would sail away from this life and live in simplicity.
Donnie seriously begins to think of putting his job on the line
so he can grant Lefty's wish. Hence, a tender and touching Mafia
movie. Donnie is in a no-win situation. His inevitable betrayal
will hurt him as much as it hurts Lefty.
The longer Donnie is involved in the Mafia lifestyle, the more
he assumes his fabricated identity. It's of the utmost importance
that he doesn't slip. The slightest mistake could cost him his
life. He must prove his loyalty to the Mob by committing and witnessing
crimes. (The real Donnie Brasco lived this life for seven years.)
At the same time, Donnie must cut off his relationship with his
family in order to protect them. He straggles in at odd hours
to a worried wife and angry children. At one point, his wife comments
on how he is turning into the criminals he is pursuing. He says,
"I'm not becoming like them, I am them." We realize
that Donnie and Lefty are more alike than not. They are both cogs
in a futile machine of justice and loyalty.
Donnie Brasco is truly a fascinating take on the Mafia
scene. Director Mike Newell has humanized these normally sketchy
characters and has exposed the emotional code of Mafioso loyalty.
In essence, he has brought us a gangster film that we can really
sink our hearts into.