This less-than-satisfying
installment in the F13 series opens with a couple of morons
digging up Jason's grave (remember, our loveable slasher was "killed"
at the end of part IV) while little Tommy Jarvis (played once
again by Corey Feldman) stares on in horror. Not surprisingly,
Jason leaps from his grave and slaughters said morons, then turns
his attention toward Tommy--but oh-ho! It's all a dream,
and we find Tommy is now grown up and on his way to the local
woodland mental institute, thanks to the traumatic experience
of burying a machete in Jason's face. At the funny farm, we meet
the most unpleasant bunch of characters to pollute the screen
in an F13 yet: the Cheesy Blonde Assistant Director of
the Institute; the Sullen New-Wave Girl; the Macho Nutcase; the
Chocolate-Smeared, Affection-Starved Fat Guy; The Shy-Yet-Horny
Stutterer; the Sex-Crazed Teens In Love; and the "Likeable
Little Kid." Fortunately for us, the Macho Guy axe-murders
the Fat Guy, and the next morning, the Director of the Institute
delivers this touching eulogy to the gathered loons: "I know
this is hard for all of you ... so let's just have breakfast."
Soon, a couple of '50s J.D.-types who have nothing to do with
the movie we're watching are hacked up, and the carnage gets rolling.
The Sex-Crazed Teens run into the woods for a little forest fornication,
and we're treated to what may be the biggest boobs ever to appear
in a Friday flick--and strangely enough, we soon see what
may be the tiniest boobs, as well. In fact, the gratuitous
nudity is about the only thing this installment really delivers
on--we even get gratuitous wet-blouse action and the single
most gratuitous boob shot I've ever seen. Other, lesser highlights
include the obligatory Cat-Scare; the Cheesy Blonde defending
herself with a chainsaw; the seldom-seen Bunny-Scare; Tommy
doing a Jean-Claude Van Damme on Jason; and the Likeable Little
Kid attacking Jason with a front-end loader. While quite stinky,
F13 Pt. V is not as hideous as Pt. III, and is definitely
worth renting for the scene where the Sullen New-Wave Girl does
a goofy robot dance. (Paramount)
--Scott Phillips
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