Word hit the streets earlier this month and it was a shocker--Bob
Denver: Hesher! On June 4, TV's beloved "Little Buddy"
was arrested in his West Virginia home by drug enforcement task
force officers. The officers had tracked a suspicious package
from Pueblo, Colo. After delivering the package, officers executed
a search warrant and confiscated the package, which contained
approximately 35 grams of pot. Cannabis. Mary Jane. The Wacky
Weed. The truth was out. Denver, whom police described as "very
apologetic over the incident and remorseful," was a closet
dope fiend.
Shortly after Denver's arrest, a West Virginia TV station quoted
an anonymous source linking "Gilligan's Island" castmate
Dawn Wells to the package. Could Denver's fellow castaway, the
innocent Mary Ann, be a part of this hippie drug conspiracy? Wells'
publicist has denied all involvement. Denver, meanwhile, faces
up to six months in jail and a $1,000 fine if convicted in Hollywood's
highest profile marijuana bust since Robert Mitchum's infamous
drug trial in the 1950s. All of which begs the nagging question:
How could we have missed the signs?
To be sure, Denver had all the earmarks of a ganja freak long
before washing up on the shores of "Gilligan's Island."
Denver's seminal role as the beatnik icon Maynard G. Krebs in
"The Many Loves of Dobie Gillis" (1959-63) should have
been the first tip off. With his goatee, bongo drums and daddy-o
dialect, it's difficult not to imagine Krebs toking up outside
the local coffee shop before subjecting himself to Gillis' assorted
square peg peccadilloes.
But the show to which Bob Denver will be forever linked remains
the TV classic "Gilligan's Island." First debuting in
1964, "Gilligan's Island" was the undisputed masterwork
of TV genius Sherwood Schwartz (who also brought us the decidedly
post-psychedelic "Brady Bunch"). Most casual viewers
miss the deeper, more symbolic meanings of "Gilligan's Island."
For example: Schwartz designed the show as a complicated morality
play with each of the characters representing one of the seven
deadly sins. Gilligan was sloth; the Skipper was anger; the Professor
was pride; Ginger was lust; Mary Ann was envy; Mr. Howell was
greed, and Mrs. Howell was vanity. But did Schwartz also intend
the show as a veiled encapsulation of the growing drug culture
in America? Was Gilligan's slothful, clumsy nature merely a byproduct
of his dime-a-day habit? Was the Professor cultivating some killer
Jamaican weed in that jungle garden of his? Was the Skipper's
catchphrase "Little Buddy" a simple corruption of "Little
Bud, eh?" And what about that episode where everybody ate
the "irradiated seeds" and gained super powers?
The conclusions seem obvious. We should have suspected this all
along. The drug references in Bob Denver's oeuvre are so blatantly
clear. Now we know--even Denver's harmless Saturday morning kids
show "Far Out Space Nuts" (1975) is
druggie slang for "getting high."