I put off seeing this one for a long time
due to its reputation as being one of the most offensive slasher
flicks ever made, but you know what? That's giving it waaay
too much credit. Joe Spinell (The Godfather, Taxi Driver)
plays Frank Zito, who spends his time whimpering, whining and
slaughtering young women. He weeps over their corpses as he scalps
them in loving closeup (courtesy of makeup effects wiz Tom Savini,
who also gets his head blown off in the movie), then takes the
scalps home and nails them to the heads of mannequins. About halfway
through the movie, this weird romance-stuff rears its head when
Zito meets fashion photographer Caroline Munro. All of a sudden,
they're dating, and all I could think was: What the hell is this
beautiful British fashion photographer doing going out with this
fat, pock-marked, badly-coiffed, sweat-greased dirt-dish? I tell
you, my suspension of disbelief was in overdrive here. Anyway,
Zito finally shows his true colors when the lovebirds visit his
mother's gravesite--while shrieking "Mommy! Mommy!"
he goes for Munro's throat, but she manages to escape. Before
long, the cops are on Zito's trail. Busting into his filthy, body-part-ridden
apartment, they find Zito lying in a pool of blood, and can you
guess what they do next? That's right, they leave! Just walk right
the hell out, as if they stumbled across grandma snoozing on the
couch amidst her knitting. I once had dinner with Director Bill
Lustig, who spent most of the meal talking about his neighbor
Sheryl Crow and how he'd like to "float like a little bird"
up to her window and peek in at her. Now that was offensive. (Media)
--Scott Phillips
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