I've said it before, and I'll say it again: All is right with
the universe when Jackie Chan is in movie theaters. For the past
couple years, New Line Cinema has been serving up Jackie's old
Hong Kong stuff every four months like clockwork. They're starting
to run thin, though. The latest, Mr. Nice Guy, is among
Jackie's final overseas productions, one of three he shot in Australia
before immigrating to Canada and ultimately to America (woo-hoo!).
By the end of summer, we should see Jackie's first American produced
feature, Rush Hour (co-starring, god help us, Chris Rock).
Until then, New Line is keeping us well fed with Jackie's earlier
efforts.
Mr. Nice Guy sticks pretty close to the tried-and-true
Jackie Chan formula. This time, instead of being a cop named Jackie,
our man plays a chef named Jackie--same dif, he's still called
upon to kick frequent and copious ass. One day, while wandering
around downtown Melbourne, our culinary ass-kicker bumbles across
a TV reporter, who's just videotaped a particularly nasty bloodbath
between rival drug-running gangs. Naturally, these gangs want
the incriminating tape back, and it's up to Jackie to save the
day! The laughable villains are a cliché bunch of Italian
mobsters and some cartoonish gang-banger types. Of course, nobody
watches a Jackie Chan movie for the character motivation. So long
as they sneer menacingly before they get a sneaker in the face,
who cares?
Mr. Nice Guy is directed by Jackie Chan pal (and fellow
martial arts legend) Samo Hung (director of such Jackie gems as
Dragons Forever and Meals on Wheels). Although Mr.
Nice Guy lacks the crazed stunt work of Police Story and
the
jaw-dropping martial arts of Drunken Master II, it's still
got its fair share of fun. This one fits more closely with Meals
on Wheels (sometimes called Wheels on Meals) and Jackie's
other purely comic flicks. Samo (who reserves a funny cameo for
himself as an abused bike messenger), lacks the broad comic chops
of fellow director Stanley Tong. Although many hardcore fans poo-poo
Tong's directing work on Rumble in the Bronx, I still regard
that film as one of Jackie's most accessible. Samo seems more
unabashedly funny when directing himself (check out Encounters
of the Spooky Kind, and you'll see what I mean). What Samo
does possess, though, is an innate understanding of martial arts
in general, and a powerful understanding of Jackie's skills in
particular. The hand-to-hand fights here are shot perfectly (no
American will ever capture Jackie Chan this well).
Samo also has the good sense to keep the energy level from flagging.
There's no time here to dally on the bad acting or silly plot
mechanics--we've got buildings to trash and bad guys to thrash.
When it's cooking, Mr. Nice Guy mirrors the comic lunacy
of a Bugs Bunny short, as in a raucous construction site fight
employing every tool on hand, including a highly cartoonish collection
of identical doors (you know, the kind that Bugs and Yosemite
Sam chase each other through all the time). Mr. Nice Guy still
manages to save up enough energy for a slam-bang finale that rates
only slightly higher on the destruct-o-meter than Rumble in
the Bronx's scenery-shredding showdown.
I tell you, there's nothing that makes me feel more like a 12-year-old
than catching a Jackie Chan matinee, shoveling fistfuls of popcorn
into my gob and guzzling flat Dr. Pepper. When I got out of seeing
Mr. Nice Guy, I felt like I had just played hooky. What
more can you ask for?
--Devin D. O'Leary
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