I avoided this flick forever because the
box art reeks of "how clever we are, it's 'Leave it to Beaver'
with cannibalism!" Finally, Emily convinced me to watch it
(although she fell asleep halfway through--but she's seen it three
times already). Bryan Madorsky is terrific as Michael, the '50s
kid who moves into the suburbs with his mom and dad (brilliantly
underplayed by Randy Quaid and Mary Beth Hurt). Pop works for
Toxico, creating new and better defoliants (in some truly unnerving
scenes), while mom toils in the kitchen, coming up with new ways
to use those mysterious leftovers ("We've had leftovers every
day--what were they before they were leftovers?" Michael
asks. "Leftovers to be," sez pop). Michael, already
perceived as strange by classmates and teachers, ends up in the
school psychologist's office after using a little too much
red crayon in the drawing he does of his family, and before long,
he slowly uncovers the truth about his folks. Director Bob Balaban
(the French-translating ex-cartographer in Close Encounters
of the Third Kind) does an amazing job with this movie--imagine
David Lynch if he weren't heavy-handed, and you might get the
picture. While it's funny as hell, Parents also plays on
any number of childhood fears, and Balaban's deft handling combined
with Angelo Badalamenti's moody score make this one of the creepiest
movies I've ever seen. Don't be stupid like me--rent the damn
thing. (Vestron Video)
--Scott Phillips
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