Sweeps month is over, the ax is falling and it's time for the
networks to start bringing out their midseason reinforcements.
CBS is banking on TV stalwart John Laroquette ("Night Court,"
"The John Laroquette Show") to bring in the numbers
with a long-awaited remake of the short-lived British cult series
"Fawlty Towers."
Created by Monty Python alum John Cleese and partner/co-star Connie
Booth in 1975, "Fawlty Towers" related the farcical
adventures of low-rent hotelier Basil Fawlty. Thanks to CBS, the
intolerant, rude and generally paranoid Royal Payne (née
Basil Fawlty) has now been transported from the English countryside
to a northern California bed and breakfast. Aside from the nominal
shift in setting, our main character has retained nearly all his
previous trappings. JoBeth Williams has replaced Prunella Scales
as the wife, Julie Benz steps in for Connie Booth as the housekeeper
(and long-suffering moral conscience to her employer) and Rick
Batalla takes over for Andrew Sachs as the much-abused immigrant
bellboy. Following the latest Hollywood trend, the bellboy (now
dubbed "Mo") has gone from a broad Spanish caricature
to an indeterminate "foreigner"--it's so much easier
to be racist, I suppose, when no one can tell what ethnicity you're
insulting. On the whole, the new actors are near mirror reflections
of their British counterparts.
The first two "preview" episodes of the series (airing
March 15 and 17) reveal a show with vast comic potential, but
a cast that's still searching for its sea legs. The timing has
yet to hit the fevered pitch that high farce requires, and the
characters don't quite feel "lived in." For his part,
Laroquette has yet to make the title character his own--as he
did so wonderfully with his insufferable bastard of a prosecuting
attorney, Dan Fielding, on "Night Court." Basil Fawlty
was more than just a penny-pinching bastard with a dilapidated
hotel and a carping wife. Under John Cleese's deft comic hand,
Fawlty became a model for wounded pride--a modern prig who fancied
himself an English gentleman and was always defeated in
his plans to improve his hellish lot in life. I suppose it's easier
in England to create that sense of pompous dignity. Here's hoping
that Laroquette's Payne can find the same balance of nasty self-centeredness
and phony pretension as Cleese's Fawlty.
On the plus side, the American scriptwriters should be congratulated
for creating original plotlines which so closely ape the British
show that they could be mistaken for long-lost episodes. The first
CBS show features a classic "Fawlty" situation: Seems
Royal Payne has forgotten his anniversary, so he steals a valuable
brooch from lost and found and gives it to his wife. Unfortunately,
the brooch's original owner returns offering a reward and Payne
conspires to steal his wife's gift back. The second episode (in
which a faulty new phone system allows the hotel owners to "eavesdrop"
on their guests) allows even more opportunity for comic hijinks.
If Laroquette and crew can just pick up the pace, CBS has got
a hit on its hands.