Billy Bob Thornton is one of Hollywood's greatest undiscovered
talents. Since the 1980s, Thornton has worked as a versatile character
actor in such films as Tombstone, Dead Man, On Deadly Ground,
Indecent Proposal and many others. Together with childhood
friend Tom Epperson, Thornton has written scripts for two successful
independent films. One False Move (a harsh film noir thriller
set in the American South) and A Family Thing (a wry domestic
drama about a racist Southern man who discovers his long lost,
and very black, brother) were both widely praised by critics and
received impressive theatrical releases. Nonetheless, the name
Billy Bob Thornton remains a mystery to most moviegoers. Thornton's
latest effort, Sling Blade, may just change all that. In
addition to taking on the Wellesian effort of writing, directing
and acting in this film, Thornton has assembled what is hands-down
the finest ensemble cast of the year for a unique and utterly
unexpected combination of his first two writing efforts.
Sling Blade mixes equal parts Halloween (a killer
leaves a mental hospital and returns to his hometown--the site
of murders he committed as a boy) and Tender Mercies (a
homeless drifter moves in with a small town widow and her son--eventually
becoming a role model/father figure for the boy). Thornton takes
on the lead role of Karl, a mildly retarded man freed from a state
institution after 25 years of incarceration for killing his mother
and her young lover. With nowhere else to go, poor Karl drifts
back to his hometown, a tiny burg in the backwoods of Arkansas.
As fate would have it, Karl meets up with young Frank Wheatley
(Lucas Black). The boy takes a shine to the slow-talking stranger,
and Karl soon moves in with Frank and his hard-working mother,
Linda (Natalie Canerday). Certainly sounds like a fine setup for
a "family in peril" slasher flick, eh? Sorry, but writer/director
Thornton has much more than that up his sleeve. We realize, early
on, that Karl isn't such a bad guy. He's much more akin to Forrest
Gump than to Norman Bates. Karl was raised by a pair of very
twisted religious zealots, who regularly tortured the boy and
fed him their own warped version of "the Holy Scriptures."
What Karl did in the past was only done because of a misguided
sense of right and wrong. For all intents and purposes, he is
"reformed."
There's only one problem. Linda's boyfriend Doyle Hargraves (Dwight
Yoakam) is an abusive, beer-swilling good ol' boy who treats both
Linda and her son horribly. Frank secretly wishes Doyle would
"just die." Can you see where this is all leading? Thornton
transforms this simple tableau into a complex religious and philosophical
quandary. Will Karl sacrifice himself in order to provide salvation
for the boy? Will this "reformed" man kill again?
As an actor, Thornton inhabits Karl like a second skin. His walk
is slow and hunched over. His voice is hesitant and gravelly,
like a cold engine trying to start. As a director, Thornton has
the good sense to surround himself with some great actors. Natalie
Canerday (from Thornton's first film One False Move) is
perfectly cast as the good-hearted mother. John Ritter turns in
one of his best performances as a gay family friend. And, with
his eerily real bad guy performance, a thoroughly surprising Dwight
Yoakam shows that his acting talents are as real as his singing
talents. In the crucial role of Frank Wheatley, young Lucas Black
is a revelation. Best known for his role as Caleb on the creepy
CBS horror series "American Gothic," Black holds his
own and in some ways surpasses his talented co-stars. As far as
I'm concerned, Black is the most natural, talented child actor
since Jodie Foster. Keep your eyes and ears open for this kid.
Do not miss your chance to see Sling Blade. It's being
released just in time for Oscar consideration, and that I think
is no coincidence. It is definitely one of the best films of the
year. Here's hoping it doesn't become one of the most overlooked.
--Devin D. O'Leary
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