Every once in a while, a film comes along that bravely (and perhaps
foolishly) accepts the onus of defining a generation (its clothing,
its music, its argot). In attempting to describe a particular
place and time, these films can fall into one of two camps. They
can cement a culture for all time in viewers' minds--take, for
example, the switchblade-wielding teens of Rebel Without a
Cause or the hippie bikers in Easy Rider. Conversely,
they can relegate their subject matter to the annals of amusing
kitsch and short-lived fad. Is there anyone out there who can
watch the disco-dancers of Saturday Night Fever without
a bemused smirk? Only time will tell if Swingers can transform
L.A.'s growing lounge culture into "the next big thing"
or "that annoying late-'90s fad." For now, though, it
remains one of the most original and amusing films of the year.
Swingers tells the story of Mike (John Favreau), an NYC
comedian transplanted to the land of swimming pools and movie
stars in search of the elusive "big time." Like all
his friends, though, Mike is decidedly "small time"--broke,
dateless and unemployed. Mike's biggest problem is that, after
six months, he's still hung up on his ex-girlfriend from back
East. Despite the most fervent efforts of his pals (a pack of
hip retro lounge lizards), Mike remains resolutely depressed.
Mike's best friend Trent (Vince Vaughn) is a mile-a-minute hipster
who prowls L.A.'s swankiest watering holes in search of "babies"
(women) and "digits" (phone numbers). Trent does his
best to dig his mopey pal out of a black and blue funk, doling
out some hilarious dating advice, dragging him to the coolest
parties and proposing a spur-of-the-moment trip to Las Vegas.
Swingers natural claim to fame is that it's the first film
to depict the growing world of the Cocktail Nation. Crooners like
Frank Sinatra and Dean Martin are worshipped as gods. Colorful
L.A. lounges like the Dresden Room, the Lava Lounge and the Derby
are depicted in all their neon-lit, smoke-filled glory. Everyone
wears the requisite bowling shirts, pocket chains and well-greased
hairdos. Many martinis are quaffed, and several energetic swing
dances are spotlighted. Everything is shot on location, giving
a thoroughly authentic feel. I doubt that anyone could sit through
this one without feeling the urgent need for a cocktail and a
well-stocked jukebox.
The worm's-eye view of male dating rituals is a scream for any
real man and a total eye-opener for any curious female. Swingers'
strongest suit is its self-deprecating sense of humor. Even
at the best of times, these self-styled "swingers" engage
in a complex dance of confidence building and insult slinging
in an attempt to goad each other into chatting up an appropriate
lady. No one is ever too "cool" in this film. The sequence
in which Mike and Trent try to "make the scene" as high
rollers in Vegas (with disastrously lame results) is priceless.
Actor John Favreau served as the screenwriter as well as star
for Swingers and wound up casting most of his pals in the
supporting roles. As expected, the acting is all great (everyone
is basically playing themselves). Vince Vaughn is a special standout
as the kind of confident, funny, constantly "on" (but
ultimately obnoxious) best friend that everyone wishes they had
(and sometimes didn't have). No surprise that Vaughn has already
been snapped up by none other than Steven Spielberg to star in
next summer's Jurassic Park sequel, The Lost World.
Favreau's dialogue-heavy script is snappy, funny and spot-on accurate.
The slang is liberally tossed around and feels perfectly natural.
Expect to repeat many of this film's choicer lines for weeks to
come.
Actor/writer John Favreau and his pal, director Doug Liman, have
fashioned this simple shot-on-a-shoestring slice-of-life into
a clever, incisive glimpse into the modern world of dating. And
if you're not already a highball-swilling, finger-snapping member
of the Cocktail Nation, you may just be a convert by the time
this flick is done.