That actor Bill Paxton chose to follow up last summer's smasheroo
Twister with a tiny little indie flick like Traveller
isn't all that surprising. When it comes to their résumés,
even superstars like Sylvester Stallone are starting to trim the
boat, so to speak, with small nonstudio films. Not only did Paxton
choose to star in this modest tale of itinerant Southern con-men,
he chose to produce it as well. Jumping on board for the ride
is director Jack Green, known mainly as Clint Eastwood's cinematographer.
Paxton and Green met on the set of Twister and therein
formed the roots of this offbeat dramatic collusion.
Traveller spins a compelling yarn about a highly insular
clan of itinerant Irish con-men making the circuit throughout
the southern United States. The story is apparently based on fact.
Scottish and Irish gypsies (known as "tinkers" in the
old country) who immigrated to America during the Irish Potato
Famine in the mid-19th century set up shop in the rural South
and freely ran cons on anyone not of their clan. Bill Paxton plays
Bokky, a modern-day "Traveller" who roads his way around
the South scamming people with phony home repair schemes and crummy
used car swindles. Into this world wanders Pat O'Hara (Mark Wahlberg)
who returns to the Travellers to bury his father, a onetime Traveller
cast out of the fold for marrying an outsider. Pat is shunned
by Boss Jack, the tyrannical head of the clan, but is taken under
wing by the soft-hearted Bokky to learn the ropes and rules of
the grift. From The Sting to Paper Moon to The
Grifters, Americans movies have been in love with the intricacies
of the con game. Though the scams in Traveller are much
more low rent, there remains a certain vicarious thrill in watching
people get taken. Con men, along with jewel thieves, are our most
beloved criminals.
Jim McGlynn's script certainly has an interesting background to
play around in. His Celtic-by-way-of-Kentucky subculture bears
a solid ring of authenticity. Though Traveller has the
undoubted air of indie about it, it's really reaching for something
more mainstream. Aside from its unique subcultural slant, McGlynn's
script doesn't wander far from the tried-and-true Hollywood formula.
Naturally, Bokky is getting tired of ripping off innocent people.
Naturally, young Pat has got the stuff to outshine his mentor.
Naturally, Bokky runs across a cute girl (Julianna Margulies)
and decides to pull "one last job" before calling it
quits. If the story had been about, say, hitmen, then the whole
deal would seem horribly cliché. McGlynn's script paints
its characters in the lightest of strokes. Certainly more could
have been made of Bokky's briefly mentioned dead wife and child.
More drama could have been wrung out of Pat's filial feelings
for Bokky--especially when Bokky starts to go down the same rocky
road of love with an "outsider" that Pat's exiled father
did.
Traveller is a modest film, and its successes are similarly
modest. Paxton is now masterly at milking the hangdog good-guy
look. Julianna Margulies (making the transition from TV's "ER")
is appropriately earthy and winsome. The biggest surprise for
many may be Mark Wahlberg who, with a few more performances like
this, could make us forget all about that "Marky Mark"
crap. Jack Green's direction captures the grit and grease of Southern
life with a minimum of embellishment. Kudos all around for fashioning
a simple story that manages to feel unique and comfortably familiar
at the same time.
--Devin D. O'Leary
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