What hath Koyaanisqatsi wrought? Well, Powaqqatsi for one thing,
and Anima Mundi for another. Of course, there's nothing wrong with those groundbreaking
visual smorgasbords -- nothing, that is, except the god-awful music of Phillip
Glass. As with predecessors K and P, Anima Mundi is dense with
arresting images. Here, director Reggio's expert eye is turned towards the wild kingdom,
as he attempts to capture the animal soul under the auspices of the World Wildlife
Fund's Biological Diversity Fund (and nary a panda in sight!). The footage here --
of ostrich, mantas, springboks, and more -- is truly stunning, a complex visual
orgy that reveals the sublime patterns and geometries that grace the natural world.
Unfortunately, this fine optical feast is saddled by the synthesized score of Glass
-- a digital papfest that grows ever more tiring until it verges on the obnoxious.
Call me a heathen, but I liked Anima Mundi best when I turned down the Glass
and turned up some good ol' Flatt & Scruggs. Leapin' lemurs! Now we're talking.
--Jay Hardwig
Film Vault Suggested Links
Nitsch 98 
Roam Sweet Home 
A Place Called Chiapas 
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