It's about to get a little crowded in the world of computer-generated animation (CGI).
This fall sees the release of both this offering from DreamWorks SKG, as well as
the Disney/Pixar collaboration A Bug's Life, two films treading remarkably similar
ground. Antz arrives first, and while it's a visually arresting piece of filmmaking,
it lacks the core resonance of that previous high-water mark, Pixar's Toy Story.
With an all-star, dream cast of voice actors and a storyline geared more toward adults
than kids, Antz remains curiously lacking in emotional involvement. It's great to
look at, sure, but it also just sits there -- and it's the most expensive Woody Allen
film ever made by someone other than that king of the meshuganahs. Here Allen gives
voice to Z, a neurotic worker ant in a colony of millions, longing for individuality
in a society that quashes even the merest hint of singularity. The filmmakers use
this rigid caste system -- workers, soldiers, queen (and princess) -- as a metaphor
for life in general, though the traditional lessons imparted here are done so with
a heavy hand most of the time. When Z runs into a slumming Princess Bala (Stone)
while cutting a metronomic rug at the local watering hole, he falls madly in love.
Thinking that the princess reciprocates his feelings, he hurriedly trades places
with soldier pal Weaver (Stallone) and seeks her out, only to be rebuffed and shipped
off to battle against the fearsome aphids. Hackman's power-mad General Mandible and
his right-hand ant Cutter (Walken) seek to overthrow the Queen and create a "more
perfect colony" via some behind-the-scenes scheming. However, when only Z returns
from the melee unscathed, his hero's welcome is parlayed into a muddled kidnapping
of the princess, and together they find themselves outside the colony, searching
for the mythical "Insectopia." It's frankly bizarre to hear the voice of Broadway
Danny Rose emanating from this pint-sized insect, though the idea of pairing Stallone
and Allen as insect buddies is admittedly too rich for words. Antz plays up its Allen
connection, with many of Z's lines sounding as though they've been taken part and
parcel from previous Allen films (as the film opens, Z is on the couch at his psychiatrist's,
opining about his inferiority complex). What Antz is lacking is that wacky spark
that sent Toy Story over the edge and into the realm of the spectacular. Large segments
of time meander during which nothing much happens, and even occasional cameos such
as Aykroyd and Curtin's yuppified wasps (get it?) do little to relieve the ennui.
Without a doubt, the animation is vibrant and electrifying; it's only the story that
lacks.
--Marc Savlov
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