Kevin Corrigan, Steve Parlavecchio, Lee Holmes, Matthew
Hennessey, Doug MacMillan. (Not Rated, 99 min.)
"Finally... a movie about a band," the tagline promises, and they're right,
this certainly isn't a film about, say, a carwash or anything. It's band, band, band
all the way down the line, from struggling musicians dealing with stage fright to
the dreaded Hell-on-the-Road to scurrilous major label vampires. Band stuff, all
forms of it, infuses Bandwagon with a wry, comic sensibility that makes Citizen Dick
from Cameron Crowe's Singles seem downright silly. (Which it was, I know, but this
is just so much better, right?) The band in question here is Circus Monkey, a newly
formed Raleigh/Durham quartet of pop-rockers entering the insular world of life inside
a cramped, foul-scented van. There's Tony (Holmes), the sensitive singer-songwriter
whose every song seems to be about an unseen girl named Ann; Eric (Parlavecchio),
the pugilistic bassist; Wynn (Corrigan), the dope-addled guitarist; and Charlie (Hennessey),
the talkative drummer looking for love. All four of the guys are overseen by manager
Linus Tate (MacMillan, longtime leader of indie band, the Cones), a shadowy figure
who acts as a sort of street-cred barometer for the group's lofty, label-aspiring
ambitions. As a comic look at a new band on the road and on the run, Schultz's debut
film is a bittersweet tale. There really is an Ann, the rest of the band discovers
after all, although she's not what singer Tony expected. And the upcoming Rival Records'
Battle of the Bands is less a talent showcase, it turns out, than a major label whirring
operation by which the vultures can pick the fat off newborn bands. Schultz and his
spot-on cast pack the film with goofy band truisms: the rivalries, tantrums, and
outright fisticuffs. But Bandwagon has a remarkably sweet center despite the occasional
bad attitude wafting through it. Holmes is immensely likable as the frontman, so
shy that he has to stand in the corner of the stage and face away from the audience
to get the notes out right, and Corona (Trees Lounge,, Kicked in the Head) is every
dopey, philosophical groove rider you've ever seen. Any film about a band had better
have music in it, and Bandwagon scores high points for Greg Kendall's Circus Monkey
tunes, especially the heartfelt "It Couldn't Be Ann." Kendall has been
well-known for years throughout the Beantown area as a hot producer and session guy,
and his work here adds a dimension to the Circus Monkey story that wouldn't otherwise
be there. All things considered, it's a gristly humorous debut, and one of the most
on-target depictions of band life thus far.
3.0 stars
--Marc Savlov
Other Films by John Schultz
Drive Me Crazy 
Film Vault Suggested Links
Brassed Off 
Forrest Gump 
The Mouse 
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