The central question in Billy's Hollywood Screen Kiss is a familiar one in these
confusing, ambisexual times: Is he or isn't he? The premise here is simple: Billy
(Hayes), a lonely, unemployed photographer with a history of finding Mr. Wrong, falls
hard for Gabriel (Rowe), an enigmatic waiter with strikingly good looks, and then
agonizes because he's unsure of whether the object of his affection can reciprocate
the feeling. It's a premise that makes for some keen romantic, sexual, and comic
tension that's achingly funny for anyone -- gay or straight -- who has had to endure
the possibility of unrequited love. (Or lust, for that matter.) While the issue of
Gabriel's sexual identity in Billy's Hollywood Screen Kiss provides the film's narrative
hook, there's more than meets the eye here Ö literally. It's The Mirror Has Two Faces
thing -- you know, that stuff about beauty being more than skin deep. Billy is a great
guy, immensely likable and relatively good-looking, but in the face department, he's
no match for the impossibly handsome Gabriel, whose features lie somewhere between
Brad Pitt and Rob Lowe. And so Billy's Hollywood Screen Kiss, in its own subtle and
unassuming way, takes on the culture of desire, in which surface is paramount to
depth. But as in Streisand's film, the message is ultimately a mixed one. In view
of the last scene, it's hard to decide whether Billy is falling into the same old
trap again, or whether he's being rewarded for having survived an extreme case of
lovesickness. That aside, Billy's Hollywood Screen Kiss is a fairly entertaining
movie, smartly directed by O'Haver, who uses drag-queen numbers and black-and-white
dream sequences to comment intermittently on Billy's emotional turmoil, and energetically
acted by a cast that strikes the proper balance between funny and serious. All in
all, it's a pretty good smooch.
--Steve Davis
Capsule Reviews
Billy's Hollywood Screen Kiss 
Billy's Hollywood Screen Kiss 
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