There are so many movies that use parallel lives as devices to explore the past-present
continuum that it's upsetting when one like Conceiving Ada, which boasts the
incendiary intelligence of British actress Tilda Swinton as Byron's daughter Lady
Ada Byron Lovelace, doesn't do more than set up the fact that there are similarities
in the lives of two women, Emmy, a present-day MIT computer genius, and Ada, a 19th-century
mathematical genius. Emmy uses her computer to actually enter Ada's life; by entering
an idea like "conception" or a specific date, Emmy makes it possible for
that moment to unravel like a movie clip on her computer screen. When she wants to
go a step further and communicate with Ada, her boyfriend, the father of their unborn
child, becomes frustrated with Emmy's tireless vision and lack of attention to her
pregnancy, which upon doctor's orders necessitates rest. The two lives are not seamlessly
dovetailed, which makes for a fragmented narrative in which we learn not enough about
Ada and spend too much time with Emmy. Her breakthrough in devising computerized
time travel and her subsequent ability to speak with her idol - to tell Ada that
she thinks she can help her out of her miserable, dying existence - are high points
in the film.
--Claiborne Smith
Full Length Reviews
Conceiving Ada 
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