Jeremy Davies, Ben Affleck, Amy Locane, Rose McGowan,
Rachel Weisz, Jill Clayburgh, Lesley Ann Warren. (R, 103 min.)
A period piece set in 1954, Going All the Way captures the growing pains and the
unlikely friendship that's formed between two young men who have returned to their
hometown of Indianapolis following their military service in the Korean War. Dan
Wakefield adapted the screenplay from his popular 1970 novel, which Kurt Vonnegut
once declared to be "the Midwestern Catcher in the Rye." Gunner (Affleck)
is handsome, athletic, self-assured, and a magnet for the opposite sex, yet ever
since his return home murky artistic longings interfere with his docile appreciation
of his carefree good life. In the nerdy, anxiety-prone Sonny (Davies), Gunner sees
a kindred soul, an artistic type (he's an aspiring photographer) who's also searching
for answers to life's big questions. Short of finding the answers, sex (and lots
of it) will do in the meantime. Curiously, in uptight Fifties Middle America, this
appears to be no problem. Women in Going All the Way are all generally predatory
and available, targeting marriage but settling for sex. Sonny has a regular thing
going on with his neighbor Buddy (Locane), a girl who's always there and eager to
accommodate (and wed) but remains terminally uninspiring to Sonny. Instead, Sonny's
lustful fantasies are directed toward Gail (McGowan), the best friend of aspiring
artist Marty (Weisz), whom Gunner picks up one day in a museum. Gunner's impediments
along true love's path are the inappropriate libidinous/incestuous gestures by his
mom (Warren) and her rabid anti-Semitism (Marty is Jewish). Sonny's mom, on the other
hand, is a Bible-thumping nag (Clayburgh), who is systematically photographed in
extremely unflattering, wide-angle shots that leave little question regarding the
movie's opinion of her. It's typical of the pumped-up, expressionistic visual style
of filmmaker Mark Pellington, an award-winning mainstay of MTV and the world of music
video who here makes his feature film debut. The sensitive story about two questing
young men is typically overridden by scenes of spinning drunken excess or the shrill
pitch of marriage-mad women. A sense of inauthenticity permeates the entire project,
even down to the carefully decorated period production design that never quite shakes
free of that unmistakable pre-fab, movie-set look (although it must be noted that
the jurors at Sundance had quite a different assessment and cited Going All the Way
production designer Therese DePrez for special achievement). Davies (Spanking the
Monkey) and Affleck (Chasing Amy, Dazed and Confused) are affecting and engaging
as the callow young men on the verge of independent adulthood. One wishes that we
had seen more of their personal drama instead of Going All the Way's myopic male
gauntlet of shrews and Jews.
1.5 stars
--Marjorie Baumgarten
Capsule Reviews
Going All the Way 
Other Films by Mark Pellington
Arlington Road 
Film Vault Suggested Links
Little Boy Blue 
A Thousand Acres 
Hurricane Streets 
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