Blessed is the romantic comedy that doesn't take the all-too-predictable cravings
of the human heart as a license to kludge together a random handful of market-tested
clichés and wait for the checks to start rolling in. So a big shout-out to producer
Deborah Schindler (Waiting to Exhale) and rookie director Kevin Sullivan for making
this movie so much better than it really needed to be. Even with Stella's success
all but assured by its source material (a bestselling novel by Terry McMillan, who
also wrote Waiting to Exhale), a truly gorgeous pair of lead actors, and a sumptuous
tropical setting, the filmmakers go to obvious pains to add a bit of nutritive value
to their sweet, frothy confection. Not so much in the area of originality; what we
have here is a pretty conventional May-August love story in which an emotionally
tapped-out 40ish businesswoman (Bassett) gets her vital juices flowing again via
a deliciously inappropriate taste of young beefcake (Diggs) she meets during a Jamaican
holiday. What really elevates this movie to the status of a future Lifetime Network
classic is the care screenwriters McMillan and Ron Bass have taken to flesh out not
only the lead characters but also supporting figures such as Bassett's lifelong sidekick
(Goldberg, mugging and ad-libbing her way through one of the bawdy, wisecracking
roles on which she owns a virtual patent) and her protective 11-year-old son (Pagan).
Though most of the characters are genre archetypes, the addition of interesting backstory
and a few charming throwaway scenes add satisfying depth to their relationships.
Diggs, a stage actor playing his first major film role, demonstrates major heartthrob
potential. As 20-year-old Winston, he's every straight woman's guilt-free fantasy
fling: open-hearted, intelligent, well-bred, honorable and -- oh yeah -- built like
a stack of glistening black granite. His repertoire of advanced love-man moves should
be compiled into an instructional video for sexually frustrated high-school guys.
And his appeal is likely to extend to male African-American viewers, who'll appreciate
seeing one of their peers portrayed as something other than a promiscuous dog whose
every waking move is dictated by General Johnson. But for all of Diggs' precocious
charm, it's Bassett -- again demonstrating a knack for characterizations that are
both glamorous and rich with Everywoman appeal -- who's the clear centerpiece here.
With qualities of beauty and strength that seem to inspire rather than distance her
female fans, she's by now obliterated any suspicion that her Oscar-nominated role
in What's Love Got to Do With It was a flash in the pan. (And as an icon of middle-aged
feminine mojo, she's also a gratifying answer to all these priapic old goats cavorting
around in Bulworth, A Perfect Murder, Lolita, and Six Days Seven Nights, not to mention
the inevitable Bill 'n' Monica pics that should be cropping up any day now.) The
date movie of the summer has been a little late in coming this year, but it's here
at last. And it is indeed a groove.
--Russell Smith
Full Length Reviews
How Stella Got Her Groove Back 
Capsule Reviews
How Stella Got Her Groove Back 
How Stella Got Her Groove Back 
Film Vault Suggested Links
Marius and Jeannette 
Show Me Love 
Home for the Holidays 
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