Kevin Corrigan, Linda Fiorentino, Michael Rapaport,
James Woods, Burt Young, Lili Taylor, Olek Krupa, John Ventimiglia. (R, 89 min.)
Kicked in the Head is a pleasant, non-threatening diversion that's neither commanding
enough to be memorable nor muddled enough to be disposable. It's a frenetic yet slight
New York City story about love, truth, and petty gangsters. The characters are all
mighty colorful and the pace is appealingly brisk, but these aspects are only window
dressing for a woefully nondescript and erratically developed storyline. A few years
back, director Matthew Harrison burst into indie world prominence with his moody,
super-low-budget Lower East Side drama Rhythm Thief. The film won the director's
trophy at Sundance in 1995, as well as the award for best narrative feature at SXSW
and other festivals. Apparently, Rhythm Thief also caught the discerning eye of Martin
Scorsese who, along with his associate Barbara De Fina, produced and financed this
new Harrison effort. Like Rhythm Thief, Kicked in the Head has ample style to burn,
but that and some great performances are all the movie has going for it. Rhythm Thief
actor Kevin Corrigan, who stars in Kicked in the Head (as well as having co-scripted
with Harrison), plays a twentysomething named Redmond, who's too involved with his
voyage of self-discovery to be encumbered by anything as pesky as a job or apartment.
As the movie opens, Redmond's scam artist uncle (Woods) prevails on his nephew to
deliver an unmarked bag to some men at an uptown subway station. Of course, this
leads to no good. Evicted from his apartment, Redmond prevails on his buddy Stretch
(Rapaport), a crazed beer distributor, to take him in. Then Redmond falls in love
with a flight attendant (Fiorentino) he sees on the subway. While pursuing her, Redmond
in turn is pursed by another old flame (Taylor). Woods is thoroughly delightful as
the film's fast-talking hustler; it's a performance that practically steals the movie,
although Rapaport and Fiorentino also bring an edgy energy to their roles. Taylor
is underused as the pining ex-girlfriend (although the character is not one you'd
really want to spend more time with). Corrigan, who has delivered such likable and
winning performances in films such as Walking and Talking, Living in Oblivion, and
the forthcoming Bandwagon, goes a bit overboard here with exaggerated mannerisms
and facial expressions. Kicked in the Head also maintains an awkward level of comic
violence, with street shoot-outs in which no one ever gets hurt and the gunmen are
all colorful characters. There are kicks to be found in Harrison's film; it's just
that they're too few and fleeting.
2.5 stars
--Marjorie Baumgarten
Capsule Reviews
Kicked in the Head 
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