Kevin Spacey, Russell Crowe, Guy Pearce, James Cromwell,
David Strathairn, Kim Basinger, Danny DeVito. (R, 138 min.)
Kudos to director Curtis Hanson and co-screenwriter Brian Helgeland for whipping
James Ellroy's seminal novel of 1950s Los Angeles police corruption and noir sexuality
into recognizable shape for this distinguished film adaptation. Ellroy's original
manuscript fell under the heading of "epic." With over 100 distinct characters
and nearly that many plot twists, it was long considered unfilmable and it languished
in development hell for years, nevertheless remaining one of the hottest unproduced
properties around. Now it's here, finally, and well worth the wait. Spacey plays
a smooth-talking LAPD detective named Vincennes, who moonlights as technical adviser
on a high-rated TV cop show; as such, he's looked up to by the regular Joes on the
beat, although some police officers resent his penchant for working celebrity busts
alongside Sid Hudgens (DeVito), the smarmy editor of Hush-Hush magazine, a seamy
Hollywood scandal sheet. Together with the straitlaced, rising LAPD star Ed Exley
(Pearce) and the violent, emotionally confused detective Bud White (Crowe), Vincennes
falls prey to a series of internal police scandals revolving around a recent massacre
at the aptly named Night Owl Cafe on Hollywood Boulevard. As the body count mounts
and the internal affairs intrigue spirals out of control, this trio of good cops/bad
cops furiously works to cover its collective ass before the perilous house of cards
that is the 1950s LAPD collapses atop them. You come away from the film with the
distinct feeling that it should have been shot in high-contrast black-and-white;
echoes of classic film noir crop up in almost every scene, but cinematographer Dante
Spinotti's (Heat, Last of the Mohicans) lush colors and steamy atmosphere more than
make up for that. Like the best dirty cop procedurals of the past, L.A. Confidential
chugs along like an approaching thunderstorm, racheting up the dirty dealings and
hazy suspense at an alarming rate until the final, hideous confrontation. Just when
it seems things can't possibly get any worse for the fallen angels in blue, things
do, and the film jacks itself up to another brutal level. Full of period locations,
costumes, and one very clever Lana Turner gag, it's easy to see why Ellroy is so
pleased with the film. It's tough enough adapting run-of-the-mill Michael Crichton
books to the screen ­ with a sprawling tome like Ellroy's, results such as
Hanson's are downright miracles.
3.5 stars
--Marc Savlov
Full Length Reviews
L.A. Confidential 
L.A. Confidential 
L.A. Confidential 
Capsule Reviews
L.A. Confidential 
L.A. Confidential 
Other Films by Curtis Hanson
The River Wild 
Film Vault Suggested Links
Ransom 
Desperate Measures 
La Cucaracha 
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