"You have rarely met a girl like Laura. Few women have been so beautiful,
so exotic, so dangerous to know." I'll say. These are the words that open the
original theatrical trailer for the 1944 Laura, starring Gene Tierney as Laura
Hunt, a plucky and earnest young adwoman who one day at lunch steels up the nerve
to approach Waldo Liedecker (Webb), a witty, snitty twit (a newspaper columnist,
of course) to ask him to endorse an ad for a certain brand of writing pen for which
Laura has designed the ad. He declines; she insists; he declines; she runs off only
to be hunted down by Liedecker days later as he apologizes for his previous rudeness
and decides to endorse the ad. Liedecker takes an initial liking to Laura that turns
into love, so he wines and dines her and introduces her to all the right people,
all of them right except for Shelby Carpenter (Price), an overgrown Kentuckian of
dubious social provenance who also falls in love with Laura. A murder ensues, which
is roundly assumed to be the murder of Laura until... well, from here on you'll have
to see for yourself. Feminist theorists and activists criticize the patriarchal practice
of referring to a male character or figure by his last name and a female one by her
first, and that's a justified grievance, but in the case of Laura there's little
else to call her by; say it often enough after viewing and you, too, regardless of
gender, may be hypnotically mesmerized like all of Laura's men.
--Claiborne Smith
Other Films by Otto Preminger
Anatomy of a Murder 
Skidoo 
Film Vault Suggested Links
Primal Fear 
Midnight in the Garden of Good and Evil 
Palmetto 
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