This year's SXSW award winner for Best Documentary is an anomaly in its genre:
no talking heads, no expert witnesses, no specific item to be addressed or mystery
to be uncovered; in fact, the filmmaker Jacki Ochs never even asks a question of
anyone. The piece is structured around the five-year correspondence between two noted
poets, American Lyn Hejinian and Ukrainian Arkadii Dragomoshchenko. The only thing
Ochs asked of the poets at the beginning was that they reflect upon a decided-upon
word ("books," "poverty," "violence," etc.) in each
of their letters. She then used lines from their letters (read by actors Lili Taylor
and Victor Nord) as a voiceover for footage she shot around America and the former
Soviet Union. The result is a rare embrace of the political and the personal - a
politics of intimacy. While the first letters come across as somewhat awkward and
pretentious (as if each poet was trying to impress or outdo the other with flowery
imagery and social insight), the latter ones grow in stature to the extent that they
acknowledge, dance with, and revolve around each other. These may be letters not
about love, but they do represent a love affair of words, and this is the root of
the film's intoxicating appeal. Ochs' underlying images are rarely heavy-handed,
but give new insight and meaning to the spoken words. It is a true and literal fusion
of cinema and poetry.
--Jerry Johnson
Film Vault Suggested Links
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Taylor's Campaign 
The Big One 
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