The smashing, dangerously charming Man of the Century follows Johnny Twennies,
a fast-talking, stogie-chomping Depression-era newspaperman out of time, strangely
(and brilliantly) oblivious to the modern world of sex, television, and other late-20th-century
amenities swirling all around him. Played to the nines by the wondrously physical
Gibson Frazier (who also co-wrote and co-produced with Abraham), Johnny whisks around
the city, rescuing the occasional damsel in distress, cleft chin jutting out, wide
eyes brimming with glass-half-full enthusiasms, caring not a flip for all our dour-faced,
existential Nineties cynicism. Don't think such a gimmicky premise could possibly
sustain a full-length narrative? Banana oil! It does, and from the first few frames
to the classic, big-band finale and in between, Man of the Century had me
aching with laughter and quite simply in love with our dashing hero, a charming amalgam
of Twenties sensibilities and the razor-tongued wiseguys of Thirties' studio films.
Although reminiscent of the silver-screen homages of Woody Allen, Steve Martin, and
even Mike Meyers as shagadelic out-of-timer Austin Powers, Abraham and Frazier's
film still feels totally fresh and original. Man of the Century is an unforgettable
movie experience, a remarkable debut just brimming with unforgettable characters
and moments -- and that, my friends, is a real-life happy ending.
--Sarah Hepola
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