A woman boards a sleeper car on a train, and finds a young man with a hypodermic
in her compartment. He jabs her with the needle, they struggle, and when she passes
out, he disrobes her, caresses her body, slits her wrist with a razor, and greedily
drinks the blood. In true Romero fashion, the first few minutes of Martin
are designed to grab the audience by the short hairs with a frighteningly personal
opening segment. Martin (Amplas) is an alienated, sexually frustrated, severly confused
modern-day vampire who is sent to live with his elderly uncle Cuda (Maazel) and work
in his store. Martin's cousin Christina (Forrest) also lives with them until she
gets fed up with the old man and the ennui of their lives and moves out. Cuda calls
Martin "Nosferatu" and tries to keep him at bay with his Old World defenses
(garlic, crosses) which only serve to annoy him. Martin eventually begins an affair
with an alcoholic, desperate older woman, and sinks further into despair, eventually
becoming a regular caller on a late night talk radio show. Martin hates his craving,
wishing he could just be friends with someone, anyone, but it's a physiological need
as powerful as a junkie's heroin habit. Romero uses Pittsburgh's abundance of Gothic
architecture to good advantage, and includes flashbacks shot in grainy black &
white from Martin's earlier life in Europe (though he looks about 18, he's actually
in his eighties). No one said being undead was easy, and it's even tougher when you're
dying of dry rot in grimy Seventies Pittsburgh. If this all sounds dreary, it is.
Martin is relentlessly downbeat and has a molasses pace, but is nonetheless
worthwhile to watch if you're in the mood for an uncomfortable, depressing Romero-style
take on the vampire legend. Keep an eye out for the director himself as an ineffectual
young priest, and makeup legend Tom Savini as Christina's fiancée.
Other Films by George Romero
The Affair 
The Crazies 
Film Vault Suggested Links
Blood Feast 
Halloween: H20 
The Shining 
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