When filmmaker Alan Berman found himself adrift without a compelling project,
a film about his wild-card childhood friend, Paul, who was just finishing 10 years
in the big house for bank robbery, seemed just the engaging ticket for two old friends,
both at loose ends, but for different reasons. The film would not only explore the
question of where Paul's indomitable drive and creativity took a wrong turn from
promising to drugs, crime, and mental illness but also, and not so incidentally,
cast some light on Alan as well. The project turned out to be fairly bumpy, fraught
with unforeseeable obstacles, not least of which was the serious mental illness that
lay just beneath the surface of Paul's seeming lucidity and self-possession. As he
struggles to find his film in Paul's story, Alan finds himself diverted by extraneous
issues having more to do with the obligations and limits of their friendship than
with the film itself. The result is fairly unfocused, more of a personal documentary,
which unfolds in fits and starts but, oddly enough, becomes all the more interesting
because of its lack of direction.
--Anne S. Lewis
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