Plenty of lip service is paid to the ideal of moviemaking that arises organically
from character and setting as opposed to contrived concept, but films that actually
follow this path are so rare as to be startling when they're encountered. This oddly
compelling little slice of comic absurdity from native Texan Ralske patiently seduces
you into its tale of a sardonic drifter named Bruno (Rudolph) who stumbles onto the
warped, Albee-esque world of a dysfunctional couple who plan to open a bistro in
a tiny German backwater town. Rudolph has a startlingly expressive face (think Tab
Hunter as drawn by Dick Tracy cartoonist Chester Gould) that adds wordless
ironic commentary to Ralske's understated dialogue. Thalbach is equally memorable
as Luise, the pugnacious entrepreneur with whom Bruno forms a disastrous alliance.
In truth, not a hell of a lot happens in Ralske's determinedly low-keyed, black-and-white
film. The local burghers - symbolically no doubt - seem to spend half their time
pissing away the beer they swill from dawn to dusk, and many events seem inconsequential,
arbitrary, or both. Yet even as the characters spin their wheels futilely in pursuit
of their hazy dreams, Ralske's sure sense of the tiny but crucial details of character
and circumstance that bring even the most minimal story to life makes the experience
not only watchable but rewarding.
--Russell Smith
Film Vault Suggested Links
Tromeo & Juliet 
Spike & Mike's '97 Festival of Animation 
At The Circus 
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