David Duchovny, Timothy Hutton, Angelina Jolie, Michael
Massee, Peter Stormare, Andrew Tiernan. (R, 93 min.)
In the preposterously scripted yet defiantly engaging Playing God, actor David Duchovny
gives us the story of Dr. Eugene Sands, a man suffering from a desperately bad case
of "physician, heal thyself." Eugene is a doctor who, as we first meet
up with him, has already lost his license due to his pesky drug addictions. And this
is the heart of his problem: He can't decide which he loves more -- being a doctor
or being a junkie. It doesn't help that it seems as though every time he turns around
another life crumbles at his feet waiting to be healed. He has this uncanny propensity
for standing next to people who are about to be splayed open by gunshots. So what's
an ethical doctor to do, even if it just so happens that the shooting victim is inconveniently
bleeding to death in the shady bar where Eugene has just copped his drugs? It also
doesn't help that this doctorly act brings Eugene to the attention of underworld
kingpin Raymond Blossom (Hutton) and his seductive girlfriend Claire (Jolie). These
two want Eugene to play doctor to their injury-prone accomplices who would rather
avoid the troubling paperwork involved in a hospital's treatment of a gunshot wound.
So, for a time at least, the junkie doctor is able to have his cake and eat it too.
Silly and unbelievable, the pleasures of Playing God are all surface-level aspects.
Timothy Hutton delves into the malevolent Blossom with delicious abandon, sustaining
the character's off-kilter blend of being both an appealing master of destiny and
trip-wire mad dog. Hutton's colorful flourish contrasts with Duchovny's laid-back
self-mocking tone, and together their styles create an interesting interplay. Andy
Wilson's feature directorial debut (following his award-winning work as director
of the British TV series Cracker) is pock-marked with every visual toy on a studio
control board. Jazzy wipes between scenes, druggy camera shots even for scenes in
which no one is high, balletic gunplay, and much more erupt from the screen. Yet,
what's in between is shot in a fairly routine and unimaginative manner that additionally
squanders many rich opportunities while never missing an opportunity to focus provocatively
on Angelina Jolie's full, lush lips. The script by Mark Haskell Smith offers little
help -- it piles on such stock characters as clueless FBI dorks and single-minded
Russian mobsters to an already tenuous storyline. Granted, it's hard to figure out
at this point who's responsible for what since the film has been tinkered with since
completion and its opening date pushed back several times. Eugene's voiceovers that
dot the movie are probably one of the results of that process. Playing God demonstrates
why it's a job best left to a pro.
1.5 stars
--Marjorie Baumgarten
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Playing God 
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