"The play's the thing," proves Shakespeare in Love as it presents the imaginary
events that led to the creation of the playwright's timeless romantic drama, Romeo
and Juliet. The setting is 1593, back before Shakespeare went down in history as
the esteemed Bard of Avon. As we are introduced to him here, Shakespeare is just
another scribbling London hack, who is suffering a bad case of writer's block on
his new play, Romeo and Ethel, the Pirate's Daughter. The movie's grand conceit is
this mixture of fact and fantasy, using some of the known biographical material of
the playwright and his age to imagine how he came to write one of Western literature's
most enduring romantic epics. The result is a frothy romantic comedy that is equally
nourished with truisms of historic lore and modern sensibility. In much the same
way that Baz Luhrmann made Shakespeare accessible to a whole new generation a couple
of years ago with his pop operatic William and Shakespeare's Romeo and Juliet, Shakespeare
in Love takes the text and the trappings of the Elizabethan drama and embroiders
them into a thoroughly modern romantic comedy, along the lines of When Bill Met Viola
... or Annie Hall. The script by Marc Norman and Tom Stoppard is similar in structure
to Stoppard's Rosencrantz and Guildenstern Are Dead, in which the author takes a
couple of Hamlet's sideline characters and reworks the whole drama from their perspective.
In Shakespeare in Love, the authors use a blend of historic information, imagined
events, and stray bits of literary luminescence to depict a love affair that might
have occurred in the life of William Shakespeare. It's flighty, improbable stuff,
meant not to be a historical restorative but a modern tribute to the scribe whose
words have launched a million sonnets. Certainly, the more the viewer knows about
the life and writings of Shakespeare, the richer the viewing experience will be,
for the film is saturated with amusing detail and poetically licensed snatches of
dialogue. Yet such knowledge isn't necessary to the enjoyment of the story; it's
a 1593 love story that works on its own terms. To some degree, it's a classic backstage
romance (with shades of a classic Shakespearean mistaken identity), as Viola (Paltrow)
secretly dons male attire in order to appear on the no-females-allowed Elizabethan
stage and falls in love with the besieged playwright Bill Shakespeare (Fiennes).
We learn much about the state of the dramatic arts during this period as real characters
such as Christopher Marlowe and theatre owners Philip Henslowe and Richard Burbage
mix with the usurious money lenders, vain actors, morality police, and tavern whores.
As the lovers, Fiennes and Paltrow (whose beautiful swan neck provides the perfect
adornment for those elaborate Elizabethan collars) are an enchanting pair. The film's
other performances are all terrific too. Geoffrey Rush and Ben Affleck get to demonstrate
their deft comedic chops and Judi Dench rules the roost as the imperious Virgin Queen.
(The last time Dench paired with director John Madden, it was for her highly acclaimed
turn as Queen Victoria in his Mrs. Brown.) The set design and costuming are all also
thoughtfully re-imagined. The end result is a delightful, though a smidge too long,
reminder of one of the reasons we so enjoy going to the movies: perchance to dream.
--Marjorie Baumgarten
Full Length Reviews
Shakespeare in Love 
Capsule Reviews
Shakespeare in Love 
Shakespeare in Love 
Shakespeare in Love 
Other Films by John Madden
Mrs. Brown 
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