Imagine that the rest of your life could be drastically changed based on whether
or not you make it to your train or bus on time. Capital Metro users may not want
to waste too much thought on this concept, but it makes for a provocative film angle.
Sliding Doors opens with London PR rep Helen (Gwyneth Paltrow with a fancy
accent) who has just been canned from her agency and sadly returns to her flat. From
here, the movie splits into two separate realities based on whether or not she made
it through the subway's sliding doors in time for the ride home. If she does make
the train, she catches her louse beau Gerry (John Lynch) in the sack with his ex,
Lydia (Jeanne Tripplehorn). If she misses the train, she misses the tryst entirely
and stands by her unfaithful yet loving man. The emancipated Helen gets a new do,
starts her own PR agency, and meets up with the ultra-nice James (John Hannah). Meanwhile,
the late-for-the-train Helen winds up as a waitress and suffers through Gerry's ambiguous
actions and constant waffling. What should have been a showcase for the charismatic
Paltrow ends up as a dry exercise in "what ifs?" The film's main fault
is its cut-and-paste characterizations. Helen is pretty and likable, but that's about
all there is to her. Likewise, supersweet James is just that and nothing else. If
this wasn't enough to deter from the film's novel idea, the dual realities presented
are limply drawn out, uninteresting, and anticlimactic. A nice try by writer-director
Howitt, but Sliding Doors should only receive credit for a mere attempt at
innovation as opposed to its lackluster results.
--Mike Emery
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