There's a charming scene in this film that has the young protagonist, Patrick
Verona (Ledger), trying desperately to prove his love to the lady fair, Katarina
Stratford (Stiles), by serenading her with full accompaniment from their high school
marching band. Security arrives and chases Verona back and forth, the length of the
stadium, but his task is complete and the girl is won. Sort of. This updated version
of Shakespeare's The Taming of the Shrew is only one of several such adaptations
to come out this year, but it is one of the better ones so far, relying less on teen-comedy
conventions and more on the Bard himself, even going so far as to drop in bits of
the original text wherever possible. As for the story, screenwriter Karen McCullah
Lutz wisely chooses to stick to the basics of Shakespeare's text and expand only
where necessary. When Bianca Stratford (Oleynik) is forbidden from dating by her
flustered father (Miller) until her older sister, who has absolutely no interest
in teenage mating rituals, begins dating as well, she manages to convince her intended
beau, the thuggish BMOC Joey Donner (Keegan), to pay to have her older sister wooed
by the scruffy, Aussie-accented Verona. The machinations that come into play here,
including the movements of the quiet, shy sophomore Cameron (Gordon-Levitt), who
is hoping that he will be the one escorting Bianca to the prom, are complex and hilarious.
When Kat begins to fall for Patrick's charm, he, unsurprisingly, begins to fall for
her. And what's not to love? Stiles plays this "shrew" with dead-on accuracy,
making her the live-action equivalent of MTV's Daria, a whip-smart, sometimes bitter
girl with the soul of a poet who just wants this whole high school clique behind
her. Prom and parties? They're not for her until she realizes, that yes, Virginia,
there are other brilliant misfits out there as well as herself. She's a riot grrrl
update of the traditional Shakespearean indie female, and both Stiles and Junger
manage to breathe new life into an old character. It certainly doesn't hurt things,
either, to make her a fan of the Boston-based grrrl rock band Letters to Cleo, who
make an appearance as the school's prom band. Junger has a deft touch with light
comedy such as this; he manages to keep the film's convoluted plot spinning without
resorting to too much gimmickry or descending to the level of so many teen comedies.
Kudos also to Larry Miller as Kat and Bianca's father, a single dad so wrapped up
in protecting his girls that he has them wear a padded "pregnancy harness"
to remind them of the dangers of dating. What would Shakespeare have made of all
of this? I suspect he would have approved.
--Marc Savlov
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