In Time Indefinite, a sequel of sorts to Sherman's March, McElwee
explores this tension, claiming that his films are simply an expression of his love.
True to his word, Time Indefinite begins as a worrisome love song to both
his family and his new wife Marilyn, with McElwee offering his (sometimes indulgent)
reflections on marriage, childbirth, and family. This slightly neurotic/slightly
charming lullaby, however, is interrupted by a series of personal tragedies, and
Time Indefinite wheels abruptly and turns into an extended meditation on mortality,
loss, and the power of memory. McElwee's insistence on probing these personal disasters
gives the film an incredible rawness and realism that makes for the most compelling
documentary; he also seems to be learning when to shut his camera off. Time Indefinite
is an often grueling film, not nearly so lighthearted as Sherman's March,
as McElwee finds himself trapped in a "morbid metaphysical feedback loop"
-- a loop he escapes only by finding (and filming) affirmations of life in and amongst
the death. It is a serious watch.
--Jay Hardwig
Other Films by Ross McElwee
Sherman's March 
Six O'Clock News 
Film Vault Suggested Links
Endurance 
Hoop Dreams 
Soul in the Hole 
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