Charlton Heston as a Mexican? Nobody sells out like Orson
Welles. This was his "studio" film to finance "his" film. Turns
out to be one of the best films he ever made. How do you describe this movie? Janet
Leigh raped by a band of evil Mexicans in a motel from hell. Marlene Dietrich as
the mysterious, world-weary taxi driver and lover of the chief of police. The definitive
fat man role for Welles ... and being a fat man, I love great fat characters in film:
Sydney Greenstreet in The Maltese Falcon, Charles Laughton in Witness for
the Prosecution, Victor Buono in What Ever Happened to Baby Jane?, Guy
Kibbee in every Busby Berkeley film. These are the elite of the obese. And at the
top ... well, Welles. In that suit, that cane, that sweaty, eye-twitching face, the
clenched throat, the panicky voice, the aura of desperation, and his gimpy walk.
All things we fat, would-be actors wish for in a role. And last but not least there
is Henry Mancini's fantastically outrageous jazzy/rock & roll/gypsy score. You'll
rush to buy it if you're lucky. His tunes propel even a Gabor to tolerable standards.
It really is amazing.
--Harry Knowles
Full Length Reviews
Touch of Evil 
Touch of Evil 
Touch of Evil 
Touch of Evil 
Capsule Reviews
Touch of Evil 
Touch of Evil 
Touch of Evil 
Other Films by Orson Welles
Citizen Kane 
The Magnificent Ambersons 
The Trial 
Film Vault Suggested Links
The Killing 
Mulholland Falls 
Double Indemnity 
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