One scene in first-time director Evan Dunsky's largely forgettable adaptation
of Keith Reddin's Off Broadway play finds Heinrich Grigoris (Stanley Tucci)
kicking in the door of a house where's he just installed a security system, to
show that it works. The faked break-in builds business and also sets the tone
for this blandly black comedy, which indulges in sirens and whistles that
generally signify nothing.
Tucci is suitably reptilian, in a lovable way, as the owner of a shady
home-security company who tries to seduce his idealistic, naive young salesman
Tommy (an unctuous David Arquette) into some of his more underhanded dealings.
Tommy is ambitious but honest, though he's not above celebrating a sale to his
first customer, Gale (Kate Capshaw), by sleeping with her. Gale's suspicions of
Heinrich add some tension -- which is heightened by a double murder and an
elderly man whose notion of home security is an AK-47. The film pushes on such
hot-button subjects as middle-class paranoia, younger man/older woman romance,
and the ethics of greed, but like the door-kicking incident, it's all a false
alarm.
Capsule Reviews
The Alarmist 
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