One of the most troubling and overlooked of recent social developments is the
skinhead, neo-Nazi movement, but the only lesson you're likely to learn about
it in first-time director Tony Kaye's clumsy and exploitative American
History X is to avoid public rest rooms and shower facilities. Young Danny
Vinyard (a bland Edward Furlong) has shocked history teacher Murray (Elliott
Gould) with his shaved head and research paper on Mein Kampf. So the
school's idealistic principal, Bob Sweeney (Avery Brooks), tutors him in a
course he dubs "American History X." Danny's first assignment is to write about
his brother Derek (Edward Norton), who's about to be released from prison for
killing a pair of black carjackers.
Told in awkward flashbacks (the past is in black-and-white with clumsy
voiceovers), X relates how Derek metamorphosed from a bright student
inspired by Sweeney's classes on Native Son to a racebaiter and
charismatic leader inspired by his dad's ramblings about affirmative action at
the dinner table. It's a jury-rigged pastiche of a character, and though Norton
is suitably malevolent and fascinating as the swastika'd stormtrooper, no one
could bring conviction to Derek's contrived conversions. Brutal in its
depiction of street and domestic violence (a scene in which Derek berates mom
Beverly D'Angelo and Murray, who's her boyfriend, is especially chilling), this
History perversely becomes coherent only when Derek articulates his
racist ideology -- arguments, according to the film's press notes, culled from
California governor Pete Wilson's diatribes against Proposition 209.
--Peter Keough
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