The serial-killer genre offers new directors a kind of target practice: go for
the easy marks and you can show off your fancy shooting. That's the case in
David Dobkin's debut feature, a blithe homicidal romp set in backwoods Montana
that hits the bullseye on charm, cleverness, sharp performances, and glib humor
but misses the substance target altogether. The film opens with some desert
shooting practice that goes terribly wrong, and soon Clay Bidwell (Joaquin
Phoenix in a nice balance of innocence and venality) has more dead bodies than
he can handle. He serendipitously pals up with easy-going Earl (huge baby man
Vince Vaughn, whose ferocity is intensified by his softness); Earl proves more
than a great fishing and drinking buddy, however, and through him Clay begins
to confront his own darker nature. At least, he would had Dobkin learned more
from his film's more mordant predecessors, Red Rock West and Blood
Simple. Still, Pigeons is worth a shot, if only for the dyspeptic
hilarity of Janeane Garofalo as an FBI agent.
--Peter Keough
Full Length Reviews
Clay Pigeons 
Clay Pigeons 
Clay Pigeons 
Clay Pigeons 
Capsule Reviews
Clay Pigeons 
Film Vault Suggested Links
The Killing 
Mulholland Falls 
Double Indemnity 
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