Given the never-ending hullabaloo over arts funding, Cradle Will Rock is
timely. Writer/director Tim Robbins weaves together several stories of
Depression-era New York arts battles, including Nelson Rockefeller's demolition
of Diego Rivera's anti-capitalist mural at Rockefeller Center and composer Mark
Blitzstein's attempt to stage his pro-labor musical The Cradle Will Rock
under the auspices of the Federal Theater Project at a time when Congress was
investigating the program for its allegedly communist leanings. Robbins is
capable of explaining complex political material (Bob Roberts, Dead
Man Walking), but here he is strident and patronizing. It doesn't help that
the cast of contemporary actors seems smaller than life and that Robbins
compounds the problem by reducing most of the characters to cartoons: fatuous
plutocrats (including John Cusack's Rockefeller), egotistical artists
(Rubén Blades's Rivera, Angus MacFadyen's boorish Orson Welles, whose
actions in staging the musical were more heroic than Robbins gives him credit
for), and salt-of-the-earth saints (Hank Azaria's Blitzstein, Emily Watson's
Olive Stanton, the homeless waif who starred in the play). Stirring and
incredible as the climactic, against-all-odds staging of Blitzstein's play is,
it serves to remind (as does the film) that anti-authoritarian art is much
easier to defend when the artist doesn't ruin it with shrill polemics.
--Gary Susman
Other Films by Tim Robbins
Dead Man Walking 
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