Claire Danes may be one of Hollywood's hottest young actresses, but she has yet
to find the right vehicle for her talents. In Romeo and Juliet her
effervescence was suffocated by Baz Luhrmann's over-wrought craftsmanship. Here
too, Danes plays a delicate spirit struggling against a coarse backdrop. Her
Daisy is an introverted Jewish girl who attends a snobby Manhattan prep school.
She falls for the school stud (a Loki-like Jude Law), but just as things near
adolescent bliss, Daisy's rosy world crumbles when her classmates discover that
her grandmother is a Holocaust survivor. Instead of respecting the fragility of
her personal heritage, they maliciously label her a "Jew" and play hateful
pranks on her.
The premise, based upon Wendy Kesselman's play, is a well-intentioned
coming-of-age saga that nonetheless wallows in shameless symbolism (including
some ill conceived re-enactments of the Holocaust), painting Daisy as a
modern-day Anne Frank wandering through plot shards that seem borrowed from
School Ties and Mad Love. Despite the stiff jumpiness of the
script, Danes spans the emotional spectrum, but the film's saving grace comes
from Jeanne Moreau as Daisy's grandmother. She breathes an air of dignity into
scenes that might have otherwise been plain silly.
--Tom Meek
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