The British homefront during World War II has inspired some fine movies, from
Mrs. Miniver to Hope and Glory; The Land Girls is not one
of them. Director David Leland has softened since his audacious Wish You
Were Here (1987), and his new film about a trio of young London women from
disparate backgrounds working on a struggling farm lacks edge and originality.
Catherine McCormack is bland as the naive bourgeoise providing the obligatory,
purplish voiceover narrative, and Rachel Weisz is plucky as the virginal
upper-class twit; only Anna Friel as the working woman/slut offers some depth,
passion, and interest. The trio battle and bond in a family manor that looks
alternately lush and torpid; it's all like Cold Comfort Farm without the
arch comedy. With few exceptions -- distantly observed air raids and the
shocking crash of a German fighter in a field -- the war takes second place to
their mildly resolved class conflicts and misadventures in finding husbands.
Aspiring to be bittersweet, it's merely sweet; The Land Girls would have
done better had it shunned airy stereotypes and stuck closer to the soil.
--Peter Keough
Interviews
Land Girls 
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