Originally made to chronicle the Rainer Werner Fassbinder retrospective exhibit
at the Museum of Modern Art, this documentary was directed by Juliane Lorenz,
who was Fassbinder's wife, editor, and frequent collaborator. Although there
are some wonderful still photos of the legendary filmmaker, there is very
little archival footage and not all that much about Fassbinder himself. There
are many talking heads (curators, actors, academics) who discuss Fassbinder
briefly and then segue into mostly embarrassing diatribes about independent
cinema and its future. A young German actor has an inexplicable almost-love
scene with Veronika Voss's Rosel Zech; there are some equally
inexplicable aerial shots of Berlin, Hollywood, and New York with jarring piano
accompaniment.
I enjoyed the odd but highly entertaining performance by a cabaret singer
whose song manages to include the title of every Fassbinder film (no mean
feat). And the staging of several of Fassbinder's theatrical scripts must be
seen to be believed (they are campily bad, but I suspect that's due to clumsy
translation). Given her knowledge of and access to Fassbinder, it's surprising
that Lorenz was not able to create a film worthy of the filmmaker's prolific
and daring career.
--Peg Aloi
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