The term Tarantino-esque has faded a bit in American Independent filmmaking, as
have the fortunes of its namesake. To judge by the debut film of British
filmmaker Guy Ritchie, that style of moviemaking hasn't died but has found
greener pastures overseas. This is an audacious, frenetic, ultimately pointless
exercise in scams, double-crosses, whimsical violence, and arty human folly.
A get-rich-quick heist, as usual, is the cause of everything. Eddie (Nick
Moran), Bacon (Jason Flemyng), Soap (Dexter Fletcher), and Tom (Jason Statham),
a hunky quartet of wanna-be high-rollers, plot to win big in a poker game with
Hatchett Harry (P.H. Moriarty), a London mobster. The game is fixed, however,
and the aspiring punks find themselves with a few days to repay a gambling debt
of half a million pounds. Their solution is to rob their neighbors, a ruthless
band of drug dealers. Their neighbors also have plans, however, as do Harry and
an assortment of other crusty ne'er-do-wells; and each scheme collides with the
others with the giddy logic of a nuclear chain reaction.
Ritchie orchestrates the plots and anti-plots with the delight of a sadistic
child whose artistic palette brims with cinematic pyrotechnics and movie
allusions. Sometimes his showoff style seems gratuitous. But the performances
-- especially by fierce footballer Vinnie Jones and the late, real-life tough
guy Lenny McLean as two of Hatchett Harry's henchmen -- give the frivolity the
needed flesh and blood. By the end of Lock, Stock, Ritchie's career
shows signs of smoking.
--Peter Keough
Interviews
Lock, Stock and Two Smoking Barrels 
Capsule Reviews
Lock, Stock and Two Smoking Barrels 
Film Vault Suggested Links
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