Adapted from a novel by George Orwell, this is a witty, acerbic fable of
post-war angst, fashionable socialism, and pre-marital frustration. Richard E.
Grant and Helena Bonham Carter are shyly engaged employees at an advertising
agency; she's been brushing off his advances but is starting to weaken. Grant
is an aspiring poet who, upon being promoted to "Head of Creativity" promptly
quits, much to Bonham Carter's horror. A talented graphic artist, she tries to
remain loyal but grows increasingly disillusioned with her fiancé's
antics: after receiving a substantial royalty check from a magazine, he drinks
the money away and is thrown in jail. Penniless and ostracized, he ends up
slumming in a fleabag rooming house among the whores, drunkards, and fishwives
of East London.
Bonham Carter's Rosemary is a gem: conservative, pensive, yet not indifferent
to sensual abandon. Grant is the revelation, however -- he hasn't been this
good since Withnail and I. His effortless charm and ludicrous arrogance
make his descent into poverty and self-loathing unbelievably moving and wildly
funny.
--Peg Aloi
Capsule Reviews
A Merry War 
A Merry War 
A Merry War 
A Merry War 
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