No movie image could ever equal the late actor Klaus Kinski's megalomaniacal
image of himself. The same is true of filmmaker Werner Herzog, which may be why
their films together are their best. Their working relationship was adversarial
-- to the point where, in one legendary story about the making of their shared
masterpiece, Aguirre, the Wrath of God (1972), Herzog threatened to
empty all but one of the bullets in his rifle into Kinski's head, saving the
last for himself. That and other anecdotes of Kinski's operatic insanity and
Herzog's long-suffering forbearance (to see the maker of the film Even
Dwarfs Started Small in the role of the voice of reason is an unsettling
sight) spark My Best Fiend, Herzog's memoir of his collaborator. Oddly
listless given the subject and Herzog's mastery of the documentary form,
Fiend's mélange of on-set footage and interviews nonetheless
provides a glimpse into the creative process at its most extreme -- Herzog puts
his crew in mortal danger in order to pull a steamboat over a mountain in
Fitzcarraldo even as native extras are offering to kill Kinski for being
an insufferable asshole. Was the ranting and raving all for effect? As with the
final image of Kinski being caressed by a butterfly, the beauty, even if it was
all staged, is undeniable.
--Peter Keough
Full Length Reviews
My Best Fiend 
My Best Fiend 
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