Columnist/novelist Anna Quindlen's portrait of a family affected by cancer and
dysfunction is brought to the screen with opulent flair by director Carl
Franklin (Devil in a Blue Dress and One False Move).
Unfortunately, Franklin's efforts can't lift the manipulative material above
its melodramatic flatness and Terms of Endearment pretensions.
Renée Zellweger (Jerry Maguire) is Quindlen's fictional alter
ego, an up-and-coming journalist in New York City whose career is stalled when
her controlling father (William Hurt), a small-town college professor, beckons
her home to nursemaid her cancer-stricken mother (Meryl Streep). Both Zellweger
and Hurt lurch through the film with the curl of resentment on their lips: she
wants to pursue her career; he wants to carry on with his professorial duties,
as well as his mysterious, late-night dalliances. There's a lot of Oscar timber
here, and Streep and Hurt do well by their roles -- it's just unsettling to
watch them project the same personas they've been recycling on screen for the
past decade. Zellweger turns in the film's one true thing as far as
performances go, emoting the pain of loss and sacrifice while harboring
ambition and her desire for self-fulfillment on the inside.
--Tom Meek
Full Length Reviews
One True Thing 
One True Thing 
Capsule Reviews
One True Thing 
Other Films by Carl Franklin
Devil in a Blue Dress 
Film Vault Suggested Links
Less Than Zero 
The Acid House 
Spent 
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