The divisiveness in Belgian director Patrice Toye's debut feature is more
familial and psychological than political, but the consequences, though
internalized, are as devastating. The title heroine, tough and cynical at 13,
is processed into a youth-detention center for some undisclosed crime.
Flashbacks unfold the mystery with tantalizing sleight of hand and crusty
working-class detail, circa 1980. Her unmarried mother, Irene, pretends
that Rosie is her sister -- she had Rosie when she was only 14 -- so she can
attract a husband. Further undermining their bond is the unwelcome appearance
of Irene's brother Michel, who tries to act as Rosie's father. Alienated, Rosie
finds solace in her "white knight," Jimi, and the two set off on a peripatetic
adventure involving a purloined baby. Although overlong, Rosie packs
some sly surprises that illuminate as well as startle.
--Peter Keough
Full Length Reviews
Rosie: The Devil Inside My Head 
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