With Ice Cube's directorial debut, The Players Club, upcoming and
Sphere, Barry Levinson's adaptation of Michael Crichton's
science-fiction bestseller Cube now in the theaters, this year is well
represented by three-dimensional geometric shapes. If Sphere is any
indication, however, this is not a good trend. Levinson's first venture into
the genre is plodding and dreary, a waterlogged hodge-podge of Alien,
The Forbidden Planet, and Crichton's own The Andromeda Strain.
The military, having discovered a huge spacecraft at the bottom of the
Pacific, wants to penetrate the hull and make contact with whatever life forms
might be inside, so it gathers a team of experts: Norman Goodman (Dustin
Hoffman), a neurotic psychologist; Beth Halperin (Sharon Stone), a skittish
biochemist; Harry Adams (Samuel L. Jackson), a sardonic mathematician; Ted
Fielding (Liev Schreiber), a nerdy astrophysicist; and Barnes (Peter Coyote),
the enigmatic team leader. As long as Levinson sticks to easygoing interaction
à la Diner, Sphere is amusing enough. (My favorite lines,
quoted out of context, are "Follow the Yellow Brick Road!" and "I need a last
name for my report.") But when it comes to action, special effects, and
suspense, he should stick to wagging the dog. The concept is intriguing -- it's
that alien-within-being-more-terrifying-than-the-alien-without thing again,
with Hoffman adding a twist by reprising his Outbreak romantic situation
with Stone -- but the plot unfolds with the dramatic structure of a Rolodex.
Long before Sphere dithers to its forgettable climax it's become as flat
as a pancake.
--Peter Keough
Full Length Reviews
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Capsule Reviews
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Other Films by Barry Levinson
Disclosure 
Liberty Heights 
Sleepers 
Wag the Dog 
Film Vault Suggested Links
Deep Impact 
The Postman 
Johnny Mnemonic 
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