One of film's underappreciated virtues is its ability to evoke the immanence of
places and things -- something that Ferzan Ozpetek's Steam: The Turkish Bath
does with exquisite poignance. The misty light over the Bosporus, the
texture of a damp wall, the pathos of a dead woman's dusty relics all provide
this seductive fable of the exhilaration of change and the ineluctability of
fate with the jolt of a vaguely recalled epiphany.
Hot-shot Rome designer Francesco (Italian film legend Vittorio Gassman's son
Alessandro, resembling a sensitive Ben Affleck) chafes at having to leave his
tight schedule and prickly relationship with wife and partner Marta (dark and
lanky Francesca d'Aloja) to travel to Istanbul to sell a property willed to him
by his estranged Aunt Anita. Once there, he's intrigued to find his inheritance
is a derelict steam bath, or hamam, and is further drawn in by the
family overseeing it -- including the nubile Füsun (Basak Koklukaya) and,
especially, her boyish brother Mehmet (Mehmet Gunsur).
As Francesco restores the bath and reads his aunt's letters about how the city
and the hamam transformed her life, his own life alters with strange
desires and a stranger's memories. In the background lies the threat of a
basilisk-eyed entrepreneur who wants to raze the place to build a soulless
development, and the caressing vapors of this tantalizing new world slowly form
into a climax of Borgesian irony. Startling in its originality and
imaginativeness, Steam is an unexpected treasure.
--Peter Keough
Full Length Reviews
Steam: The Turkish Bath 
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