Among recent Hitchcock ripoffs -- Brian De Palma's overblown Snake Eyes,
Gus Van Sant's redundant Psycho -- Claude Chabrol's The Swindle
is less of a cheat than the rest. Derivative of the master in his less
suspenseful, more romantic mode -- say, To Catch a Thief -- this is the
story of a pair of small-time grifters who stray "out of their league," as
Victor (Michel Serrault), the éminence grise of the team, puts
it. His accomplice Betty (Isabelle Huppert, in blancmange mode), tired of
duping dentists at conventions, sets them up with Maurice (François
Cluzet, whom Betty asks to remove his sunglasses because he "looks like Peter
Sellars," thus eliminating his personality), a high-finance type with a valise
full of Swiss francs. That MacGuffin involves them with nasty characters in a
picturesque Caribbean resort and a much-telegraphed double and triple cross.
The relationship between Betty and Victor is more compelling and mysterious
than their scams; he's old enough to be her father, and she calls him "daddy,"
so maybe he is. Like the valise's combination, this is by the numbers, but
twisted and atmospheric enough not to leave you feeling robbed.
--Peter Keough
Full Length Reviews
The Swindle 
Other Films by Claude Chabrol
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