"Whoever done this knew what they were doing," a cop reverently announces with
a splayed female corpse behind him. Too bad the same can't be said for
writer/director Jeb Stuart and his pseudological thriller. He does have all the
requisite plug-ins from his storyboard. There's the serial murderer, Bob (Danny
Glover does his best despite the material), who crosses state lines into a
small town. There's Buck, the paternal sheriff of said small town up for
re-election. And look, there's stone-faced FBI Special Agent Frank (lockjawed
Dennis Quaid), who's going all out on this case because the murderer kidnapped
his son. Screenwriting by the numbers.
The problem is that Stuart doesn't know how to add them up. Prototypes of
characters won't move your story from A to B, so Stuart works from B to A,
cutting and pasting plot elements as needed to fulfill the pat resolution
Hi-Lited in his notebook. You want a guy's medical backstory? Have a stranger
drop at his feet. Plan to incapacitate your villain? Have him tell someone
where the kid is in a "by the way" aside. Need your villain to remain above
suspicion? Make him beloved and cherished wherever he goes (Hey, it's
Bob!). On the other hand, you will be thankful for the febrile flashback
used to ziplock the plot -- it means this seemingly endless film is grinding to
a halt.
--Robert Furlong
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